From Lux et Nox
2002
In a photograph, we have simultaneously an absolute presence in the evidential authority of the medium and an entirely impossible dreamscape.
What draws you in is what slips away.
And yet, this longing persists - this lack of connection to someone or something.
The sweet expression of a face, eyes cast down, thoughts turned inward...Such things send us back into a different space, but remarkably it's always our own.
Now as the light form a row of TV screens blends with the last rays of the sun, both play over a face staring into a shop window, and as the sound of the mall dies away, imagine as that face curves off into shadow.
Turn ever so slightly, a single camera movement brings the distant lights of a freeway into view, blinking through the darkening forest.
And the sun goes down behind the mountains.
2002
In a photograph, we have simultaneously an absolute presence in the evidential authority of the medium and an entirely impossible dreamscape.
What draws you in is what slips away.
And yet, this longing persists - this lack of connection to someone or something.
The sweet expression of a face, eyes cast down, thoughts turned inward...Such things send us back into a different space, but remarkably it's always our own.
Now as the light form a row of TV screens blends with the last rays of the sun, both play over a face staring into a shop window, and as the sound of the mall dies away, imagine as that face curves off into shadow.
Turn ever so slightly, a single camera movement brings the distant lights of a freeway into view, blinking through the darkening forest.
And the sun goes down behind the mountains.
- Bill Henson
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